Hans Frank at Hudson Hall
September 23, 2024
At his best, Frank’s manner of pictorial organization recalls Kandinsky’s work from the early 1910s, but it is enacted with a more frenzied sense of color.
September 23, 2024
At his best, Frank’s manner of pictorial organization recalls Kandinsky’s work from the early 1910s, but it is enacted with a more frenzied sense of color.
September 23, 2024
The viewer is almost uneasy, as though they inadvertently snuck into a mysteriously quiet and private backstage area—a pause in time before sweaty, noisy, preparatory work will resume.
September 19, 2024
Biggs may be a pioneer, but she rarely travels alone.
July 16, 2024
Those who knew him, even on a professional level, as I did, recognized that his eccentric, dynamic personality—full of wit and caustic humor—was reflected in all his artistic endeavors, including the works on view here.
June 25, 2024
Xingzi magically conjures that awful sense of being left behind—the palpable depression of missing the one you love.
June 10, 2024
In so doing, she simultaneously points to how “grooming” can refer to either preening oneself to attract a partner or manipulating a child into sexual abuse.
June 4, 2024
Yet unlike Parrish, these images have not sprung from her imagination: she paints the places she has lived, invested in a political exploration of her natural landscape—not only of Superfunds, but immigrant farm workers, abandoned Navy Yards, the curated growth within gardens.
May 6, 2024
At times, we even feel empathy for his subjects—imagine that.
May 6, 2024
While realized in a quasi-abstract visual language of reductive forms and spare color, each painting evokes a sense of wonder at the setting moon.
April 9, 2024
Our fleeting encounters with strangers—in magazines, on the streets—leave a mark decades later.