Displayed in Robert Smithson’s current exhibition at Marian Goodman Gallery is the artist’s unrealized Forking Island (1971), rendered in paint on a mirror. With its searching projections reaching outward from a central point, the island looks less like a landmass and more like a network, its form presenting a problem to the hypothetical cartographer. We […]

Visiting the Whitechapel Gallery after lockdown was the first time, to my knowledge, that I had my temperature read in public. I can tell you that I saw Radical Figures: Painting in the New Millennium on Sunday, July 26 at 4:30, because I had to book in advance and I still have the confirmation email. […]